Proofreading

Snow White 2025: Balancing Woke Themes with Classic Storytelling – A Review
The 2025 version of Snow White, to be fair, Disney's live-action remake of its first animated picture, has received mixed reviews from the audience. The remake tried its best to be accepted as a feminist film and one that promotes woman empowerment while balancing the old and the new. I watched the film with a grain of salt and kept my logical mind aside—at least, I tried to! However, I could only fathom the discourse of its nurture to a certain extent. In this review, I go deeper into the intricacies of empowerment, fantasy and the performances the film encompasses.
By Hridya Sharma11 months ago in Critique
Those Bloody Loopholes!. Honorable Mention in Self-Editing Epiphany Challenge.
Often writers close loopholes in stories, leaving the reader clear about the message they intend for the readers to glean from the piece. In one of the early pieces, I accidentally left a bunch of dark details ambiguous. People who read it shared their different interpretations of the story which I found enjoyable. I discovered that not fixing loopholes allowed people to explore for themselves a meaning that was potentially deeper than I had intended it to be.
By Lisa Pulliam11 months ago in Critique
Professor Andrew's Self-Editing Epiphany Experience
Professor Andrews left the gothic artistic designed lecture hall whose sole delegated epiphany task instructed, ‘remind the future about being sincere and trustworthy’. Stepping outside the collegiate building, adjusting the trench coat, making sure the overbearing jacket representing adulthood respect, could handle engaging the elements.
By Marc OBrien11 months ago in Critique
Fast and Dirty Editing - Pre-Prepared, Pre-Packaged Pleasure
So I thought as a last entry for the Self-Editing Epiphany Challenge, I'd partake in what I am calling "Fast and Dirty Editing". What do I mean by "Fast and Dirty Editing"? Well, rather than drill down into the dos and don'ts of writing poetry, or worry about the format (aside from any formatting rules that need to be applied) I am going to take an existing piece I wrote for the Tautogram challenge, but published it too late to be accpeted for the challenge, from a couple of years ago. I am then going to decimate it, without labouring over it too much, and go through the changes as I make them in this critique.
By Paul Stewart11 months ago in Critique
Getting Legless With Drunk Aliens - Editing A Winning Poem
For this entry into the Self-Editing Epiphany, I wanted to do something a little strange. It’s easy, in some ways, to look back at pieces we know were flawed because they didn’t get well received or didn’t place in a challenge or competition. But what about those pieces that did have success—ones that not only placed in a challenge but came first place? Could any editing, especially with time passed and experience gained since the piece was published, improve upon a winning poem?
By Paul Stewart11 months ago in Critique
The Monster. Content Warning.
The monster in my room. Have you ever woken up to find a monster in your room? I did, when I was four years old. It wasn’t your typical monster, it didn’t look like a monster but it was. It had taken over someone else. I was told by my parents to sleep in the same bed as the monster. This same monster had attacked several people. That’s what it did, it would attack one person and then that person would become the monster. Then that monster would attack someone else and then they would become the monster. Then when I was four the monster had attacked my sister and she became the monster. Then the monster attacked me. But for some reason no matter how hard the monster tried, I wouldn’t let it take over me. I would have dreams about myself becoming the monster and wake up terrified and shaking. But I didn’t want to be a monster, so I didn’t become one. And that’s when I realized that no matter what happened to the people before me, they weren’t forced to become the monster, they chose to. They were introduced to the monster and then they had to make a choice. Become the monster or defeat it, stop it from destroying everyone. The monster attacked me and it was bad but to me becoming the monster was so much worse because I would rather be hurt than hurt someone else. And that’s all it took, the way to defeat the monster was so simple and yet it had taken years for someone to stop it. All along all anyone had to do was stop being the same monster that had attacked them.
By Raine Fielder11 months ago in Critique
A Moment On My Soapbox. Runner-Up in Self-Editing Epiphany Challenge.
Pulls out soapbox. History never repeats itself, but it loves playing a good cover. When we cease to understand, and only imitate, we doom ourselves and others into repeating the same chords, the same notes, eventually writing off a cover as a different song entirely.
By Matthew J. Fromm11 months ago in Critique
"The Fan" Gets Another Chance.... Honorable Mention in Self-Editing Epiphany Challenge.
Here is the original poem: There are some Challenges where I feel that the Vocal Gods are smiling down on me. There is work that I have produced that has brought out the best in me; sometimes it has brought out things I did not know existed in me. And I feel that I really do have something to say with this one.
By Kendall Defoe 11 months ago in Critique
What goes through the mind of an empty envelope?
Humans! Aah, the notorious ones gospelled with the prowess of pouring their hearts onto the folds of power, of unleashing the confinement of unsaid pain through the enigmatic flair of woven syllables through the crevices of their glistening minds.
By Hridya Sharma11 months ago in Critique
Why My First Drafts Look Like a Crime Scene (And Why Yours Should Too)
Do You Have the Guts to Butcher Your Own Work? Have you ever written something so imperfect that you wanted to set it on fire? Good. That means you’re on the right track. Writing isn’t about getting it right the first time—it’s about being brave enough to get it wrong, then ruthless enough to fix it. The true magic happens in self-editing, where creativity and cold-blooded analysis collide. But how do you edit without suffocating your originality?
By Alain SUPPINI12 months ago in Critique
Editing Isn't Fun
When I relit my creative candle, I knew that one of the most dreaded steps in being a writer and content creator (I have recently learned that being a content creator does not include being a writer) was going to be editing. Typically, when I edit my work, it includes approximately an hour of self-hate and intense criticism, so much so that the actual editing process doesn’t start until at least the two-hour mark of my dedicated editing time. This, however, only becomes true if I even get to the two-hour mark of editing. Now that I am a slightly more experienced writer, I can make very small edits on the fly when I’m writing, even when I’m experiencing a writer’s high. Eight years ago, when I was beginning to find a voice and style that I could seriously narrow on, I was still in the experimental stage of finding who I am as a writer. The following is an excerpt from a vocal challenge four years ago:
By Anthony Diaz12 months ago in Critique
Are Ukrainians prepared for concessions and a ceasefire? What the polls say is as follows:
The idea of a negotiated end to the three-year war has been put on the agenda and in the hands of Russian President Vladimir Putin thanks to an agreement between the United States and Ukraine on a ceasefire proposal. However, the parties' positions are pretty clear even before Moscow responds.
By Md Mirajul Islam12 months ago in Critique